Sunday, 22 November 2009

soft, winter music, and a quiet heart

The Half Killed

You are counting the days backwards. The clock on your bedside table is still, quiet, caught in time at 5:44. The black arms are spread out, and it looks like a spider is resting upon numbers. There is a crack running along the length of it, as if it had been hit by lightning.
Every autumn you catch a maple leaf before it hits the floor, place it under the clock, and watch the winter turn it to dust.

-oOo-

In class, they try to teach you about the past. They ask you what your first memory is, and you think about her. There is no colour, or sound, or feel to the picture. It is just her, as she was. The flighty gesture of slim hands. The nightingale eyes and lilting, morning voice. Her bony shoulders, and the way her knees were bruised, even if she always moved as if she were flying. You try to remember the feel of her cloudy, feather soul. Close your eyes and try to catch your breath when you can’t quiet recall all the details of her face. You are twins, and everybody says you look exactly alike.
But when you look into the mirror, you find no trace of her.


-oOo-

You know that forgetting is often harder than remembering, but there are some things you never want to let go of. Being seven, and curling up around each other under the same blanket as you watched Ghostbusters in the dark. The endless games of pretend as you used you mother’s old beside clock to catch the ghouls and poltergeists that haunted your world. Together, you would flutter from place to place, hunting air only your young minds could imagine take form. Two pairs of feet moving so quickly that you would seem like apparitions yourselves. The other children would ask to join, sometimes, and you would let them. But it was never the same. She was the only other person who lived in your strange, separate world, where death was just something that could be caught and stilled in borrowed clocks.

-oOo-

These days, your fingernails are always crusted with paint. You have been trying to draw what you can remember of her, but can only manage it in details. There is her voice; she used to hum when she cooked, and sing when taking a shower. Her voice would melt into liquid, half dipped in water, as if it were running with its ankles in the waves.
There were her fingers. You used to walk hand-in-hand, attached by skin and a thin earphone cable, from one’s ear to another’s. You could feel the bones of her as she tapped a rhythm against the back of your palm. Sometimes you will feel the music of its phantom limb and find yourself humming to ghosts.
Then, there is her face. When you paint, you always remember that night. She was sat on your bed, waiting to leave, and as you turned off the lamp the only light remaining was from a candle perched on the edge of the table. Its glow would not reach her and for a moment she seemed to fade away. But then she leaned over, tilted down, and as she reached to blow it out the gloom spilled shadows all over her face. For that second her face seemed to belong to an old photograph; black and white and faded. Your spine chills.
She looks like a ghost.

But then her breath blows the flame away, and the image disappears.

-oOo-

She has left pieces of herself behind, all over your life. Small roots beneath the surface, which you tip your head down to consume. You taste the dirt, and smell the way she used to love. Reminded, again, of how her elbows would move as she placed the flowers to dry between pages. The hobby she used to keep, outliving her in all your favourite words. Slowly, you become more afraid of reading, but now and then you will open a book and a pressed, fragile creature will flutter from the ink and unto the ground. Her glances were never this wrinkled, but some patches are just as soft.
You never miss her more than when offered these perfect reminders that she is gone.

-oOo-

The sea is roaring in your ears. All you can taste is salt. You cannot breathe. You are dead. No. Worse. You are half-killed.
She is dead.
There is liquid in your lungs. The glass on the church windows were stained, blue light filtering over your face. You have lived the past day, since the funeral, underwater. You cannot hold your breath any longer, but it is impossible to drown.
The clock on your bedside table is ticking. Its shape is painful. You try to remember when the last time you played with it was. Years ago, when you were both children, and the memories seem lost. Unreachable. You hold it in your hand, and the ticking is muffled, but it gets louder and louder with each movement.
You will be haunted, you realise, forever.
You do not know if you scream, or cry, or howl, but you are wild. You are broken, and there is now nothing left to replace you. The clock flies out of your hand, smashes the wall. Falls. Another fragile creature.
From inside, the ghosts escapes as time cracks and stops.

Saturday, 25 July 2009

Cloud Girl is no hero, but she knows how to fly: people I think about when I'm swimming

Cloud Girl lives in the clouds. She eats there, and breathes there, and is there. At night you will find her spread-eagled in her bed, for she sleeps with her wings open. In the afternoon her skin has collected a thin, shiny film of moisture from spending her mornings at such high altitude. Sometimes you try to talk to her and it takes her a moment for her to react, as if she had to travel a great way to meet you.

You try to find this charming but most of the time,

you miss her.


Cloud Girl likes looking at windows. Looking through them all the time, she thinks, would just be rude. She likes to think that maybe furniture have thoughts and memories and so takes care to tread softly on stairs, and to mumble goodnight to her bed sheets every day. She mentions this to her mother once, who tells her she’s crazy. She gets called crazy a lot, but Cloud Girl doesn’t believe in getting upset over things that are inevitable, so she smiles in return. This never helps but, well, some situations just can’t be helped.


Cloud Girl wants to be an architect when she is older. Not a pilot? you ask, and regret how predictable you are.

But Cloud Girl doesn’t like being in machines because, most of the time, she doesn’t need them. She has feet and legs and a feather soul, and that is enough for her.

She wants to be an architect and design roofs. She wants them to be the most beautiful part of every house. She wants people to find nothing remarkable in her buildings, and then look at the sky and fall in love. She likes beauty that is hidden but obvious.

Secretly, she wishes that one day someone will come up to her and say,

You make the sky more beautiful than it already is.


Cloud Girl is often told that her way of life is only going to hurt her in the end. The higher you go, the harder you fall, they all say. They tell her to stop. To stop before it’s too late. She tells them that falling isn’t so terrible.

She knows how to pick herself up.

What she really wants to tell them, though, is how wonderful it is to fly without fear of the ground. How much she loves being in two places at once. How it’s like to dream and not stop.

She doesn’t, though. She doesn’t because she is afraid that even after that, after the colours and the feeling and the wind, they won’t understand.

Nothing would be more tragic.


Cloud Girl likes to say that she is never alone, even when there is nobody around her. You say this is good, but it scares you. You are afraid because whatever she is with when she is not alone may take her away one day. You are afraid she will never fall. That she will go higher and higher until you can’t even see her. Until she is blue like the sky, and just as intangible.

You are afraid because she is Cloud Girl, who lives in the clouds.

Sunday, 31 May 2009

from Spanish Town to the Jamaican border

“The soil is red here, you see?”

“Yes.” The dirt is being kicked up in the air- turning, churning under us. It sticks to the horses’ hooves and up, up, as if they are being painted for battle. “It makes everything look wild,” I go on, almost to myself. Almost, because he is always listening. “Like war,” my lips suggests, still looking at the muddy horse hair. But my eyes soon drift- towards the green trees and purple mountains and I shake my head quickly. “No. War is not wild.”

“You think war is not wild?” He asks in his mocking, condescending tone. I glance at his face- so petulant, so eager to outdo me. His eyes are like beetles resting on a pale mask. ‘You think you know more than you do’ I think. ‘That is the fallacy of fools’.

I look away from him, to where red runs into the blue of the sky.

“No. Nature is wild. War is human.”

Thursday, 21 May 2009

Life in the suburbs

And do you take, sir, you take

the packed lunch tied with silver hair,

hooked, so and so, so and so;

a clock, a ferris wheel.


Is it sand, or dirt, or the flap of a cut thumb,

does it sting, satisfy,

the tastes of this new world? So needy,

so complacent.


Don’t stare, fish pallet, at my hyena teeth;

aphasia of the mind, hyperpolarisation of the tongue,

is that the name you hold for me?

A clock. A ferris wheel.


Stand, hunched, a story from Paris,

handing over the curled petals of your fingers, the slow witted

thorns of your nails. I do not need the irony

of your Imogen Cunningham memorabilia.


Square steps, you compromise,

One two, one two- so and

So?


...................................................I am so tired of this.

Wednesday, 20 May 2009

a crowded room

Rust, residue of nissl stain on lips, on fingertips-
You have been talking to him again,
Neglect of the eyes, crow feather skin.
....................................................................You promised.

The voice that shivers,
Or talks in adjectives and colours,
The girl in red- deep breaths deep breaths-
Is it them?

Flies, fat and filled like hanging pearls
That attach jealously to the edges of the mouth
That curls, again, over your ears- no, deeper
Deeper still?

Stop, he pleads- No more,
Iccarus,
No more. The hand is held flat-
Slapped, or empty

The gold is fake, flakes, off the corner of your eyes-
Watch them turn to moths, birds, that burn
Or reflect
The higher they go.

Blue pill, red pill, no pill
What is real, what is you,
As you talk to them again.

You promised.

Monday, 18 May 2009

Seconds

And your whale skin, no
more or less desired, is
unattended but for the dementia of
moss and other soft creatures.

Words that fly for years;
falcons, or sharks, or deer,
that rarely land on comprehension and ears
in the jungle of the mind.

For a few breaths that are
but a moth in winter,
the sky on your face is blue
and cloudless.
....................................................................I miss you.